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Tom Shales was a well-known American writer and television critic. He was a television critic for The Washington Post from 1977 to 2010, for which he received the Pulitzer Prize for Criticism in 1988.
He also wrote a column for the television news trade publication NewsPro, published by Crain Communications.
Tom Shales was the bard of the boob tube, a maestro of dissecting the highs and lows of television with wit and wisdom.
For over three decades, his pen wielded as potently as any remote control, shaping the national conversation about what flickered on our screens. He was the Pulitzer Prize-winning critic for The Washington Post, the guy who made us laugh while we pondered the brilliance of “Hill Street Blues” and the bewilderment of “Baywatch.”
But above all, he was a chronicler, documenting the evolution of television – from clunky sitcoms to the streaming gold rush – with an eye for both its artistic aspirations and its crass commercialism.
He understood that television, in all its messy glory, was a shared experience, a campfire of flickering images that brought us together (even if we were laughing at different jokes).
The question of his children was merely another channel to tune into, the one labeled “imagination.” He may not have constructed his own family fort, but he did construct innumerable castles in the air.
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